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Pulses - Jeremy Cunningham Quartet - Re: Dawn (From Far) (CD, Album)

Download Pulses - Jeremy Cunningham Quartet - Re: Dawn (From Far) (CD, Album)
Label: Ears & Eyes Records - ee:15-044 • Format: CD Album • Country: US • Genre: Jazz •


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9 thoughts on “ Pulses - Jeremy Cunningham Quartet - Re: Dawn (From Far) (CD, Album)

  1. re: dawn (from far) is Cunningham’s solution to what he used to see as a “missed opportunity” to record something tangible with his closest colleagues and mentors. On the highly collaborative album, he’s joined by guitarist Jeff Parker (Tortoise), Josh Johnson (a Thelonious Monk Institute fellow), and Matt Ulery (Loom).
  2. It is cool jazz with feeling, which could also be said about the album as a whole. re: dawn (from far) is a strong debut from Cunningham and one can only hope that he will be able to keep this group together. They have something special going on. They play a type of modern jazz that is both emotional and intellectual, traditional and modern.
  3. Check out Re: Dawn (From Far) by Jeremy Cunningham Quartet on Amazon Music. Stream ad-free or purchase CD's and MP3s now on
  4. Jazz album: “re: dawn (from far)” by Jeremy Cunningham, released in on ears&eyes Records. Explore the largest collection of jazz recordings @ All About Jazz.
  5. 8 rows · Find album reviews, stream songs, credits and award information for Re: Dawn .
  6. Jan 13,  · Provided to YouTube by The Orchard Enterprises Pulses · Jeremy Cunningham Quartet Re: Dawn (From Far) ℗ Jeremy Cunningham Released on: Music Publisher: Joshua Johnson Auto.
  7. Listen to your favorite songs from Re: Dawn (From Far) by Jeremy Cunningham Quartet Now. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Download our mobile app now.
  8. Re: Dawn (From Far), an album by Jeremy Cunningham Quartet on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes.
  9. Aug 20,  · There’s also a staccato sprint called “Pulses” and a languid, almost post-coital remuneration, “Visions;” but my favorite cut on the album is “Leaves Rain.” Cunningham and Ulery bring this one in on tiptoe, soon echoed by a dissonant but insistent hushing command from the saxes, then Parker begins unspooling a melody like a cat.

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